Tag Archives: Books

After the death of Kit’s husband

“But her eyes remained open, staring upward almost as fixedly as those beside her. These were the first moments of a new existence, a strange one in which she already glimpsed the element of timelessness that would surround her. The person who frantically has been counting the seconds on his way to catch a train, and arrives panting just as it disappears, knowing the next one is not due for many hours, feels something of the same sudden surfeit of time, the momentary sensation of drowning in an element become too rich and too plentiful to be consumed, and thereby made meaningless, non-existent.”

–Paul Bowles, The Sheltering Sky

I wrote a young adult novel under a pen name and this is what I learned

A year and a half ago I signed a contract with Penguin to write a young adult novel. I chose to write the YA novel under a fake name so as to reserve my own illustrious name for the thousands of stories about sex, death, and misery that I planned to write for masochistic grownups in the future. My pseudonym—let’s call her W-2—has been trying to build a fan following in advance of her January 2015 debut by Tweeting about her boyfriend and responding warmly to teen bloggers who read the galley and pronounced it either “amazeballs” or “awesomesauce.” W-2 has sort of taken on a life of her own, which I guess is the point.

The author John Banville, who won the Man Booker Prize for his 2005 novel The Sea, also happens to write noir detective novels under the name of Benjamin Black. “If I’m Benjamin Black,” Banville once said, “I can write up to two and a half thousand words a day. As John Banville, if I write two hundred words a day I am very, very happy.” He prefers his crime fiction to his dense and poetic literary novels that tussle more with human consciousness than with bad guys. “My Banville books are attempts to be works of art,” he told The Guardian, “but because perfection can never be achieved they always ultimately fail. So when I look at my Banville books all I see are the flaws, the faults, the failures, places where I should have kept going to make a sentence better.” Literary fiction seems more about achieving an esoteric ideal (the Great American Novel, for instance), while genre fiction (crime, romance, YA) seems more about connecting with an audience. They’re almost different forms of media altogether.

In a 2011 Slate article, Katie Crouch and Grady Hendrix wrote about their experience co-authoring the YA novel The Magnolia League. “[R]eaders in Y.A. don’t care about rumination,” they wrote. “They don’t want you to pore over your sentences trying to find the perfect turn of phrase that evokes the exact color of the shag carpeting in your living room when your dad walked out on your mom one autumn afternoon in 1973. They want you to tell a story.” Crouch apparently had trouble letting go of her “M.F.A. background where the rule was that good writing requires rumination, pain, and the slow loss of your best years” and embracing the “insane pace” of writing YA. This was similar to my experience. I wrote three distinct drafts of my YA novel in nine months. That’s a book every three months, which is a timetable that even Grisham doesn’t maintain. Psychologically, it was grueling. By the end of the process I felt like the worst writer in the world. But that’s only because I was thinking about it all wrong.

For the past year, when I’m at a party or something and am asked what I do for a living, I say I’m a writer. Then my boyfriend (who two-times me with W-2—the bastard) usually pipes up that I wrote a YA novel and it comes out in January and it’s going to be a big deal, etc. Though I think it’s sweet that my cheating boyfriend likes to boast about me and my future millions (sometimes he even seems to think I have a movie deal on par with The Hunger Games), I always feel sheepish when my YA book is made public like this. I thought it was because I’m somewhat insecure and I tend to downplay my accomplishments. “It’s nothing,” I’d say to counter his brags. “Just some silly kids’ book I wrote under a pseudonym.” This response left me feeling that I was betraying my novel (and how hard I had worked), and that I needed to be a better advocate for myself.

But now I don’t think it was my dismal self-esteem making me respond in such a way. I actually like the story and the characters and the message of the book. A lot. The trouble is I didn’t write it. W-2 is entirely responsible. She’s more interested in things like plot, paragraphing, following an outline, hitting the right emotional beats at the right time, getting those pages turned, etc. She doesn’t tear her hair out when a cliche sneaks into her work. She’s cool and she’s crazy about teen readers and she’ll be positively thrilled to sign your copy of her book, come January. But if I try to identify with her, I start feeling low. My whole sense of self is called into question. Being a writer is integral to who I am. But I can’t write just anything and still own that sense of “being a writer.” I can only write the stuff that comes from that rock-bottom place that would make most teenagers (and many adults) say, “WTF?” It’s nice to have met my alter ego and I will enjoy tagging along with her on book tour, but it’s like Banville said about himself and Benjamin Black: “They are two completely different writers who have two completely different processes.” In order for me to conserve my sense of self as Some Kind of Artist, I have to divorce my meager talents from W-2’s. It’s not a question of highbrow versus lowbrow or young versus old or whatever. The categories are too fluid for that. It’s a matter of “THIS IS WHO I AM” versus “This is something I wrote.” Thinking in these absolutes seems to help me. Creative desolation only strikes when I don’t know who is writing.

So I’m going to keep doing what I do and maybe W-2 will keep doing what she does (or maybe she’ll take some time off to backpack Europe with my boyfriend), but never again will I confuse the two writers. Meanwhile I can learn a lesson from the teen audiences that W-2 wants to reach. As Crouch and Hendrix point out, these young readers are “still fresh and unjaded.” They’re loyal and excited and communicative and they just want something honest to hold onto. They’re the main reason Crouch turned from the elitist world of literary fiction to YA. But it seems to me that instead of writing YA in order to connect with that tremendous audience (and its allowance money), we intermittently sophisticated grownup authors who actually enjoy describing “the exact color of the shag carpeting” should strive to treat our own and each other’s work with a comparable level of freewheeling enthusiasm. Or at least that’s the only way I can foresee Hollywood turning my Great American Novel into a four-part movie trilogy. Fingers crossed.

A fresh roster of embarrassments

Yesterday a woman called to offer me two free tickets on a Caribbean cruise if I would just answer a few of her questions. At the time of the call I was sitting in a crowded coffee shop so naturally I hung up on her. It’s always been my dream to set sail on a Caribbean cruise ship, but the idea of random people overhearing my conversation was just too embarrassing. What if the woman asked me something deeply personal like “How do you feel about buffets?” My cheeks were already hot because my phone had vibrated three times on the cafe table before I’d answered it. I could not endure any more public humiliation.

Which got me thinking about embarrassment. I am embarrassed about how many things I’m embarrassed about. And it’s not the stuff you might expect. FOR INSTANCE.

1) When I got all dolled up one night to drive to the Chevrolet sales lot because I’d trusted a newspaper insert saying that I’d won a new car and I thought that when I put the key in the door for the first time someone from Chevy might want to take my picture for promotional reasons, I was not embarrassed.

2) When I got an F in Physics because two weeks into my freshman year of college I simply forgot I was enrolled in Physics and consequently neglected to attend class, do the homework, take the tests, etc., I was not embarrassed.

3) When I blew a snot rocket at the park a couple days ago and it touched down on my sneaker in plain view of all the other joggers stretching their quads, I was not embarrassed.

And that is because I am a grown woman who has read a lot of pop psychology online and who contains enough inner reserves of strength and self-confidence to weather any social mortification. But a few things still manage to get to me. They’ve gotten to me for a long time, but only recently have I identified and tried to come to terms with them. So in the therapeutic interest of revisiting “humiliations past” as World of Psychology recommends, I give you three of the fundamental embarrassments that are currently shaping my life.

1)  I didn’t write all the books.

This one comes up a lot because I am a writer of books, and yet all the books on bookstore and library shelves seem to be written by other people. People like Shakespeare and Thomas Pynchon and Virginia Woolf and Jesus. Even if I had written just a few of the books I’ve recently enjoyed—Beloved, Dog of the South, Awakenings—it wouldn’t be enough. That’s not all the books. And my guess is that tomorrow more books will be published and I won’t have written those either. Frankly it makes me want to be a shut-in.

2) I was a particularly ugly child.

Even if I could excuse the grotesque fat rolls that plagued me as a baby and gave me the same tan lines as Jabba the Hutt, I cannot accept the unappealing little girl whom that infant morphed into sometime in the 1980s. There’s a good reason I’ve never had the habit of showing new boyfriends my family’s photo albums. If one of them saw a picture of the five-year-old, gap-toothed Medusa who still lives somewhere inside of me, characterized by her ill-fitting red snowsuit and her herpetic lip blown open like a hotdog in a microwave, he would most likely not want to come anywhere near my reproductive equipment ever again. The shame lives on.

(Is this still healthy? This no longer seems healthy.)

3) I’ve messed up bad and I don’t know the first thing about time travel.

I’m less embarrassed about the messing up bad part and more embarrassed about my failure to do even a fraction of what Bill and Ted can do. I’m told that everyone makes mistakes. Terrific. Those people can accept and learn from their errors. But I am a special case and my mistakes have been egregious and I would much prefer just to get into my time machine and redo some stupid shit I’m still paying for, rather than be seen as someone who only gets to live her life once because she’s too much of an unexceptional dingbat to travel back in time. But here I am, a woman without the phone booth that would render her first kiss a little less awkward. Please just look away.

I could go on. I pick my nose when I’m not turning it into a rocket launcher. I’ve never been to MOMA. I’m not a movie star. I’ve never been the democratically elected president of even the smallest nation. They say that embarrassment is a product of perfectionism. As if being perfect is a bad thing. As if my dream of being an exquisite kindergartner sunning herself on a Royal Caribbean deck while autographing copies of The Divine Comedy and Ulysses is unattainable. I only want to live in harmony with the universe, and the universe wants me to be tan and rich and glorious like the love child of Angelina Jolie and Sir Isaac Newton. The universe will accept nothing less than an A-plus-plus and if I don’t perform to the universe’s exacting standards I’ll have to cower blushing in the corner for another three decades.

There’s no enlightened, elegant, nonironic way to wrap this up. Unless. UNLESS. I accidentally pooped my pants. Goodnight.

A review of Want Not by Jonathan Miles

My older brother and his wife are both doctors. (I know, I know. Less about them, more about me.) This means that they receive a lot of text messages from me and M containing photos of our body parts. At 2 in the morning M will be craning around in the bathroom mirror, trying to get a good angle on his back. “Would you please send your brother a picture of this mole? I think it might be cancerous.” If one of us sprains an ankle or might need stitches, we immediately get out our iPhones and start shooting. If we didn’t do this, we might jump to conclusions that reflect our art school, not our medical school, degrees. For instance last night before bed I was concerned about a little scab on my clavicle. “Do you think I was bitten by a bat?” “Don’t be silly,” said M. “That is the mark of a king cobra.” This morning the wound looks even smaller so I guess my superior immune system fought the venom and I won’t have to text my brother.

Regrettably, filial telemedicine has its limits. Two months ago when I came down with acute pyelonephritis, I couldn’t exactly call it in. I had to go to a Brooklyn emergency room and receive intravenous fluids, painkillers, antibiotics, anti-nausea meds, a CT scan, a roommate who wouldn’t stop farting, etc. Then I had to lie there shaking uncontrollably for five hours, getting my blood pressure checked every 30 minutes, bemoaning the fact that we couldn’t just take care of this over the phone. But because I was an ER virgin, everything felt new and exciting, and though I was sick to the point where I felt sure I was going to die and be buried in Potter’s Field on Hart Island because my family physician lives so far away, I kept counting my blessings because depression is worse. (The physical and mental illness combo is the cruelest, however. With this double whammy the patient feels deathly ill while also convincing herself that all her caretakers would secretly prefer she be dead, and might in fact be trying to kill her, and that would probably be for the best.)

I originally started this post because I wanted to write about introducing scorpions before surgery, but then I went somewhere else with it, so I’m sorry. I think I really just needed to open up about my traumatic experience in the hospital.

One day I would like to reciprocate my brother and sister-in-law’s cell phone ministrations, but I’m not sure what form that would take. If they ever go on safari in Africa they could text me pictures of animals and I could help identify them. “That is a giraffe,” I could say. Or, “That is probably an elephant.” If they are ever reading The New England Journal of Medicine and don’t know what part of speech a word is, I could probably say with some certainty, “That is a noun” or “No, that seems more like a verb.” My assistance might be less dramatic than responding to a selfie with, “Yup, that’s cancer. You have two months to live.” But it’s something. I work with what I have. And right now I have a headache that mimics a hangover but is caused not by a bottle of Albarino, but by the bite of a stealthy nocturnal tarantula.

You should read Want Not by Jonathan Miles. It was good and I liked it.*

*I’ll stop doing this soon because it’s so misleading, but man do I love driving a joke into the ground.

Something borrowed

The other day I walked through the rain to my local branch of the Brooklyn Public Library, where I would get a card to make this move official. Until you have a library card you can pretend you’re off the grid, but my gypsy days are over because I borrowed a spy film and a copy of Chess for Dummies. But the walk, the rain. The Bed-Stuy streets were basically deserted, so I felt the presence of the approaching man from a block away. Wondered if I should play it coy, keep my eyes lowered until the last second, then say something affable about the lousy weather. Was my neighbor also formulating a plan for our intersection? Maybe he would compliment the bright colors of my umbrella. I’d have to be conversationally flexible in case he had his own agenda. Most likely we’d exchange a few universal words about spring. (Me, privately, to spring: For fuck’s sake, spring!) We’d walk away from each others’ faces feeling either worse or better about ourselves.

Sharing the world with other people is draining. Not draining: the puddles on the sidewalk that the man was fording with his shopping trolley. They were deep and wide and barely navigable by human persons of our sort. As we closed in on each other, I noted that the man’s cart was filled to the brim with folded laundry. But the top of his laundry duffel was loose, open, getting drizzled with rain. I nodded mutely at the man with what I thought was an exemplary amount of neighborly affect. He nodded back, and at that moment a dozen bundles of paired socks dove out of his shopping trolley like lemurs, then became absorbed by the puddles I described earlier as build-up to this lemur analogy (perhaps the most overextended analogy of all time, yet still applicable to at least two thirds of my enterprises).

At first the man didn’t notice that he was dribbling socks behind him like a trail of breadcrumbs that would return him to the laundromat. (Sometimes it’s fun to really commit to making certain things like other things.)

“Sir!” I said. “Your socks!” The man stopped short and turned toward the wake of his shopping trolley with dread that bordered on existential.

“Oh noooo,” he said, surveying the carnage with hands crumpling in slo-mo to his face. “It’s a dreeeaaam.”

When he said it was a dream, I was immediately transported into a storyline where the soiled socks and the cold rain and the library books I coveted and my soggy shoes and my wet hair and Brooklyn-at-large and the seasons distorted beyond recognition were all part of a dream, his dream. The man’s dream made sense of the past ten months, when I wrote a book, got divorced, said goodbye to my Virginia family, moved back to the city, stared through countless windows at countless grey skies, ran back and forth across bridges, shivered, blew clandestine snot rockets, held babies, listened to a million songs, burned to write, wrote little of worth, made my peace with obscurity, washed the stink out of my clothes, neglected most films, most books, most people, lay facedown on the hardwood floor long enough to make my roommates uncomfortable, thought about whales, thought about the sex lives of teenagers, explored bad and worse habits, drank green tea to counteract aforementioned habits, made a profession of having feelings, contemplated dropping out of my profession the second I had something tangible to offer it, discovered rap music, fell in love with Dunkin Donuts, mourned my grandmother (forever), mourned my dad (forever), did a lot of dishes (when you do the dishes, do the dishes, says the Buddha), gave too much leeway to men, briefly inhabited the Pleasure Dome, and then was asked to leave.

Don’t you see, my bloods, that it’s all been a part of this laundry man’s dream? A dream, not a nightmare. Let’s not cast our judgment upon a stranger’s subconscious. His long winter created this fantasy world. Our sleep world where the rain can’t get in. If life is but a dream, my own modest butt is square in the middle. Together we made the dream, a function of this beastly climate. We wear the dream, launder the dream, in an infinite wash cycle until we die clean. Or maybe dirty. The dream tumbles out. Who died? It’s a dream yo the deaths don’t count. Who loves or is ditched for other lovers or feels hurt and want. It’s a dream. It’s a dream and then there are libraries to give expression to it. It’s a dream, it’s a borrowed book, and then it is pure, dry, dry as a desert, dry as sleep.